Chapter XI Nightmare Abbey · Capítulo 11 de 16
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Chapter XI

Chapter XI

Scythrop, attending one day the summons to dinner, found in the

drawing-room his friend Mr Cypress the poet, whom he had known at

college, and who was a great favourite of Mr Glowry. Mr Cypress said,

he was on the point of leaving England, but could not think of doing

so without a farewell-look at Nightmare Abbey and his respected

friends, the moody Mr Glowry and the mysterious Mr Scythrop, the

sublime Mr Flosky and the pathetic Mr Listless; to all of whom, and

the morbid hospitality of the melancholy dwelling in which they were

then assembled, he assured them he should always look back with as

much affection as his lacerated spirit could feel for any thing. The

sympathetic condolence of their respective replies was cut short by

Raven's announcement of 'dinner on table.'

The conversation that took place when the wine was in circulation, and

the ladies were withdrawn, we shall report with our usual scrupulous

fidelity.

MR GLOWRY

You are leaving England, Mr Cypress. There is a delightful melancholy

in saying farewell to an old acquaintance, when the chances are twenty

to one against ever meeting again. A smiling bumper to a sad parting,

and let us all be unhappy together.

MR CYPRESS (filling a bumper)

This is the only social habit that the disappointed spirit never

unlearns.

THE REVEREND MR LARYNX (filling)

It is the only piece of academical learning that the finished educatee

retains.

MR FLOSKY (filling)

It is the only objective fact which the sceptic can realise.

SCYTHROP (filling)

It is the only styptic for a bleeding heart.

THE HONOURABLE MR LISTLESS (filling)

It is the only trouble that is very well worth taking.

MR ASTERIAS (filling)

It is the only key of conversational truth.

MR TOOBAD (filling)

It is the only antidote to the great wrath of the devil.

MR HILARY (filling)

It is the only symbol of perfect life. The inscription 'HIC NON

BIBITUR' will suit nothing but a tombstone.

MR GLOWRY

You will see many fine old ruins, Mr Cypress; crumbling pillars, and

mossy walls--many a one-legged Venus and headless Minerva--many a

Neptune buried in sand--many a Jupiter turned topsy-turvy--many a

perforated Bacchus doing duty as a water-pipe--many reminiscences of

the ancient world, which I hope was better worth living in than the

modern; though, for myself, I care not a straw more for one than the

other, and would not go twenty miles to see any thing that either

could show.

MR CYPRESS

It is something to seek, Mr Glowry. The mind is restless, and must

persist in seeking, though to find is to be disappointed. Do you feel

no aspirations towards the countries of Socrates and Cicero? No wish

to wander among the venerable remains of the greatness that has passed

for ever?

MR GLOWRY

Not a grain.

SCYTHROP

It is, indeed, much the same as if a lover should dig up the buried

form of his mistress, and gaze upon relics which are any thing but

herself, to wander among a few mouldy ruins, that are only imperfect

indexes to lost volumes of glory, and meet at every step the more

melancholy ruins of human nature--a degenerate race of stupid and

shrivelled slaves, grovelling in the lowest depths of servility and

superstition.

THE HONOURABLE MR LISTLESS

It is the fashion to go abroad. I have thought of it myself, but am

hardly equal to the exertion. To be sure, a little eccentricity and

originality are allowable in some cases; and the most eccentric and

original of all characters is an Englishman who stays at home.

SCYTHROP

I should have no pleasure in visiting countries that are past all hope

of regeneration. There is great hope of our own; and it seems to me

that an Englishman, who, either by his station in society, or by his

genius, or (as in your instance, Mr Cypress,) by both, has the power

of essentially serving his country in its arduous struggle with its

domestic enemies, yet forsakes his country, which is still so rich

in hope, to dwell in others which are only fertile in the ruins of

memory, does what none of those ancients, whose fragmentary memorials

you venerate, would have done in similar circumstances.

MR CYPRESS

Sir, I have quarrelled with my wife; and a man who has quarrelled with

his wife is absolved from all duty to his country. I have written an

ode to tell the people as much, and they may take it as they list.

SCYTHROP

Do you suppose, if Brutus had quarrelled with his wife, he would have

given it as a reason to Cassius for having nothing to do with his

enterprise? Or would Cassius have been satisfied with such an excuse?

MR FLOSKY

Brutus was a senator; so is our dear friend: but the cases are

different. Brutus had some hope of political good: Mr Cypress has

none. How should he, after what we have seen in France?

SCYTHROP

A Frenchman is born in harness, ready saddled, bitted, and bridled,

for any tyrant to ride. He will fawn under his rider one moment, and

throw him and kick him to death the next; but another adventurer

springs on his back, and by dint of whip and spur on he goes as

before. We may, without much vanity, hope better of ourselves.

MR CYPRESS

I have no hope for myself or for others. Our life is a false nature;

it is not in the harmony of things; it is an all-blasting upas,

whose root is earth, and whose leaves are the skies which rain their

poison-dews upon mankind. We wither from our youth; we gasp with

unslaked thirst for unattainable good; lured from the first to the

last by phantoms--love, fame, ambition, avarice--all idle, and all

ill--one meteor of many names, that vanishes in the smoke of death.[8]

MR FLOSKY

A most delightful speech, Mr Cypress. A most amiable and instructive

philosophy. You have only to impress its truth on the minds of

all living men, and life will then, indeed, be the desert and the

solitude; and I must do you, myself, and our mutual friends, the

justice to observe, that let society only give fair play at one and

the same time, as I flatter myself it is inclined to do, to your

system of morals, and my system of metaphysics, and Scythrop's system

of politics, and Mr Listless's system of manners, and Mr Toobad's

system of religion, and the result will be as fine a mental chaos as

even the immortal Kant himself could ever have hoped to see; in the

prospect of which I rejoice.

MR HILARY

'Certainly, ancient, it is not a thing to rejoice at:' I am one

of those who cannot see the good that is to result from all this

mystifying and blue-devilling of society. The contrast it presents

to the cheerful and solid wisdom of antiquity is too forcible not to

strike any one who has the least knowledge of classical literature. To

represent vice and misery as the necessary accompaniments of genius,

is as mischievous as it is false, and the feeling is as unclassical as

the language in which it is usually expressed.

MR TOOBAD

It is our calamity. The devil has come among us, and has begun by

taking possession of all the cleverest fellows. Yet, forsooth, this is

the enlightened age. Marry, how? Did our ancestors go peeping about

with dark lanterns, and do we walk at our ease in broad sunshine?

Where is the manifestation of our light? By what symptoms do you

recognise it? What are its signs, its tokens, its symptoms, its

symbols, its categories, its conditions? What is it, and why? How,

where, when is it to be seen, felt, and understood? What do we see by

it which our ancestors saw not, and which at the same time is worth

seeing? We see a hundred men hanged, where they saw one. We see five

hundred transported, where they saw one. We see five thousand in the

workhouse, where they saw one. We see scores of Bible Societies, where

they saw none. We see paper, where they saw gold. We see men in stays,

where they saw men in armour. We see painted faces, where they saw

healthy ones. We see children perishing in manufactories, where they

saw them flourishing in the fields. We see prisons, where they saw

castles. We see masters, where they saw representatives. In short,

they saw true men, where we see false knaves. They saw Milton, and we

see Mr Sackbut.

MR FLOSKY

The false knave, sir, is my honest friend; therefore, I beseech you,

let him be countenanced. God forbid but a knave should have some

countenance at his friend's request.

MR TOOBAD

'Good men and true' was their common term, like the chalos chagathos

of the Athenians. It is so long since men have been either good or

true, that it is to be questioned which is most obsolete, the fact or

the phraseology.

MR CYPRESS

There is no worth nor beauty but in the mind's idea. Love sows the

wind and reaps the whirlwind.[9] Confusion, thrice confounded, is the

portion of him who rests even for an instant on that most brittle of

reeds--the affection of a human being. The sum of our social destiny

is to inflict or to endure.[10]

MR HILARY

Rather to bear and forbear, Mr Cypress--a maxim which you perhaps

despise. Ideal beauty is not the mind's creation: it is real beauty,

refined and purified in the mind's alembic, from the alloy which

always more or less accompanies it in our mixed and imperfect nature.

But still the gold exists in a very ample degree. To expect too

much is a disease in the expectant, for which human nature is not

responsible; and, in the common name of humanity, I protest against

these false and mischievous ravings. To rail against humanity for not

being abstract perfection, and against human love for not realising

all the splendid visions of the poets of chivalry, is to rail at the

summer for not being all sunshine, and at the rose for not being

always in bloom.

MR CYPRESS

Human love! Love is not an inhabitant of the earth. We worship him as

the Athenians did their unknown God: but broken hearts are the martyrs

of his faith, and the eye shall never see the form which phantasy

paints, and which passion pursues through paths of delusive beauty,

among flowers whose odours are agonies, and trees whose gums are

poison.[11]

MR HILARY

You talk like a Rosicrucian, who will love nothing but a sylph, who

does not believe in the existence of a sylph, and who yet quarrels

with the whole universe for not containing a sylph.

MR CYPRESS

The mind is diseased of its own beauty, and fevers into false

creation. The forms which the sculptor's soul has seized exist only in

himself.[12]

MR FLOSKY

Permit me to discept. They are the mediums of common forms combined

and arranged into a common standard. The ideal beauty of the Helen of

Zeuxis was the combined medium of the real beauty of the virgins of

Crotona.

MR HILARY

But to make ideal beauty the shadow in the water, and, like the dog in

the fable, to throw away the substance in catching at the shadow, is

scarcely the characteristic of wisdom, whatever it may be of genius.

To reconcile man as he is to the world as it is, to preserve and

improve all that is good, and destroy or alleviate all that is evil,

in physical and moral nature--have been the hope and aim of the

greatest teachers and ornaments of our species. I will say, too,

that the highest wisdom and the highest genius have been invariably

accompanied with cheerfulness. We have sufficient proofs on record

that Shakspeare and Socrates were the most festive of companions. But

now the little wisdom and genius we have seem to be entering into a

conspiracy against cheerfulness.

MR TOOBAD

How can we be cheerful with the devil among us!

THE HONOURABLE MR LISTLESS

How can we be cheerful when our nerves are shattered?

MR FLOSKY

How can we be cheerful when we are surrounded by a reading public,

that is growing too wise for its betters?

SCYTHROP

How can we be cheerful when our great general designs are crossed

every moment by our little particular passions?

MR CYPRESS

How can we be cheerful in the midst of disappointment and despair?

MR GLOWRY

Let us all be unhappy together.

MR HILARY

Let us sing a catch.

MR GLOWRY

No: a nice tragical ballad. The Norfolk Tragedy to the tune of the

Hundredth Psalm.

MR HILARY

I say a catch.

MR GLOWRY

I say no. A song from Mr Cypress.

ALL

A song from Mr Cypress.

MR CYPRESS sung--

There is a fever of the spirit,

The brand of Cain's unresting doom,

Which in the lone dark souls that bear it

Glows like the lamp in Tullia's tomb:

Unlike that lamp, its subtle fire

Burns, blasts, consumes its cell, the heart,

Till, one by one, hope, joy, desire,

Like dreams of shadowy smoke depart.

When hope, love, life itself, are only

Dust--spectral memories--dead and cold--

The unfed fire burns bright and lonely,

Like that undying lamp of old:

And by that drear illumination,

Till time its clay-built home has rent,

Thought broods on feeling's desolation--

The soul is its own monument.

MR GLOWRY

Admirable. Let us all be unhappy together.

MR HILARY

Now, I say again, a catch.

THE REVEREND MR LARYNX

I am for you.

ME HILARY

'Seamen three.'

THE REVEREND MR LARYNX

Agreed. I'll be Harry Gill, with the voice of three. Begin

MR HILARY AND THE REVEREND MR LARYNX

Seamen three! I What men be ye?

Gotham's three wise men we be.

Whither in your bowl so free?

To rake the moon from out the sea.

The bowl goes trim. The moon doth shine.

And our ballast is old wine;

And your ballast is old wine.

Who art thou, so fast adrift?

I am he they call Old Care.

Here on board we will thee lift.

No: I may not enter there.

Wherefore so? 'Tis Jove's decree,

In a bowl Care may not be;

In a bowl Care may not be.

Hear ye not the waves that roll?

No: in charmed bowl we swim.

What the charm that floats the bowl?

Water may not pass the brim.

The bowl goes trim. The moon doth shine.

And our ballast is old wine;

And your ballast is old wine.

This catch was so well executed by the spirit and science of Mr

Hilary, and the deep tri-une voice of the reverend gentleman, that the

whole party, in spite of themselves, caught the contagion, and joined

in chorus at the conclusion, each raising a bumper to his lips:

The bowl goes trim: the moon doth shine:

And our ballast is old wine.

Mr Cypress, having his ballast on board, stepped, the same evening,

into his bowl, or travelling chariot, and departed to rake seas and

rivers, lakes and canals, for the moon of ideal beauty.

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